Friday, May 30, 2008

Opening Night

...
The opening night was FUN!



I had my name up, not in lights, but in the visual art world's equivalent... up in black.




It was an awesome night. A great crowd and, though it may seem kind of obvious when you think about it, I was surprised at the fact that I knew everyone... It was kind of like having a birthday party, unlike other people's parties where you know one or two people, when it is your party - you know everyone! Very fun.



Got a few red dots up on the wall, which is very encouraging!




I made a speech. I didn't plan it much, but I knew I wanted to dedicate the show to my grandmother who passed away around this time last year. She was definitely the matriarch of our family and always my best patron and supporter. I think I have been blessed by a super supportive family, and Granny especially was always so positive and affirming.



I had a few 'thanks you's
to make as well. Firstly to the wonderful, wonderful women who run fortyfive downstairs, the gallery. Their advice and support and generosity really got me through in far greater style than I would have managed on my own. And also to St Vincent's Hospital Melbourne. Last year I had the absolute luxury to spend a year on the tenth floor of the old nurses quarters looking out over an amazing view of Carlton Gardens with all of the northern suburbs of Melbourne stretched out below - especially beautiful at night. St Vincent's Hospital have an artist in residence program where you can apply for a free studio for a set amount of time and in return you give them an art work. The curator of the residency program was at my opening, demonstrating how much genuine care and interest they take in you.


A beautiful bunch of flowers from some friends


Philippa and Alix who work at fortyfive downstairs




Overall a really fantastic night. (Aside from the red wine spilled all over my dress right at the start by my grasping handed baby nephew, that'll learn me for putting a glass of wine in baby reaching distance! But then that is why you wear black to an opening!)


And... the benefit of an early opening is that it was finished by 7pm, so even though we went out for some food and drinks after, I was home and snug in bed before midnight!


Monday, May 26, 2008

Behind the Scenes 3

Hanging the show...

My friend Benjamin 'The Art God'* Webb installed my show for me last night at the gallery. He is a professional art installer, yay for friends with benefits! (not like that!!!) He charged me the grand sum of a six pack and dinner at the Shanghai Dumpling House.

I had dropped all the works off the night before and placed them around the walls in the order I wanted them hung. We met at 5.30pm and were done by 8ish. This is what it all looked like...


First you measure,




then you hammer,



Then you use the dodgy $3.99 spirit level from the Two Dollar shop on Sydney Rd to make sure it is all straight,




And hey presto, you have a show! Yay!

Now all I have to do is create labels for the walls, type out and print the price list, artist statement, and CV, get all the food and wine, make sure I have invited everyone, brainstorm for the speech...






*Ben is a shy retiring flower, he would never admit he is an Art God, and he would certainly never tell me to write that... but I do what I can to promote my friends!

Thursday, May 22, 2008

Behind the Scenes 2

I thought I'd give a little glimpse of the work and chaos that goes on behind the scenes. This is my studio space...



As you can see it is very full of STUFF. I have all of my stock for the markets stored there, I have all of the art materials I have ever purchased stored there (I work in an art shop - enough said)Sometimes I find it hard to move, and a few weeks ago I decided to take control, clean it up, find places for things to live so the the table and floor were not totally consumed by these important but generally unused objects.

I had just got it into a certain amount of order when we had that rain a week or so ago... and I discovered the place leaks! So I had to move all items that were stacked against the back wall into the middle of the space. Never try to escape chaos... it will find you.

I was a bit stressed about the show and had found an afternoon to be in the studio. And it was lucky I was in my studio when it happened, so I could move it all and track where the drips were coming in, but it meant that instead of having a productive afternoon I had a damage control afternoon, and all of my attempted order was reversed in a matter of half an hour.

I still have a bucket propped up against the window and it catches those drips that hit the window sill and then splatter out, then there is also the leak that slides sneakily down the wall. Luckily it was never enough water to form a puddle or a stream. But I will take not chances and will have to devise a way to lift all my folios - full of paper - off the ground.



Studios and flooding seem to go hand in hand for me. I've had two others that flooded much worse than this in the past, so it is ok, but still nerve wracking, to have a little leak. Every time it rains I am now worried in case this is the day the roof decided to fall in and soak everything in muddy water.

that has happened before...

Thursday, May 15, 2008

Behind the Scenes 1

So the show is only a week away. Most things are ready, I have got some prints in the shop getting framed, they should be ready on Monday. I have helped fortyfive downstairs with the mailout, sticking address labels on envelopes and stuffing mine and another invitation into them. The gallery has also sent out a media release, so with any luck I will get a little bit of media attention, hopefully good! I have mostly finished all the paintings, some I am still not sure about, so there may be some work to do there. Then of course they all have to be signed and have hanging wire put on the back. I have organised a friend of mine, who runs a gallery and regularly hangs shows, to help hang the show on Monday the 26th. I have got my secret team (mum) on the case to help me with food for the opening night. I am investigating the possibility of getting some nice organic red wine for the opening... it is all rolling along. Oh yeah, I still have to type up the price list and artist statement.

So that is the nuts and bolts of getting this thing happening. I am feeling reasonably confident, but have had my moments of blind panic this month, don't worry about that! I think it has been really wonderful to work with a gallery like fortyfive downstairs. Their expertise and the fact that they put on so many shows means that they have a time frame and system for getting things done. For example the invitations would have been pushed aside and put off till the opening night itself if it had been left to me. But because they needed them done I had to get it together! So I had to make the hard decisions, like which image to use, what words to put with it, what to call it... all that stuff that I resist, procrastinate about and try really hard to avoid. They were also really supportive and offered some good advice in the midst of all of those decisions. Alix, who works there, said a couple of time 'I think that's good' and that was all I needed to settle that raging bull of insecurity, thus allowing a decision to be made. They really are a great team; Mary Lou, Philippa and Alix.

Tuesday, May 6, 2008

Elephants and post-traumatic stress (Part 3)

From the same article (An Elephant Crackup? written by Andres Serrano for The New York Times) this tells of the work of the Elephant Sanctuary in Tennessee, USA, a 2,700-acre rehabilitation center and retirement facility which has taken in many disturbed or old elephants, may of which have lived almost their entire lives in zoos or circuses. It tells of how they have been successful using human trauma recovery techniques with the elephants. It also begins to argue the logical conclusion to such realisations about the nature of elephant psychology... that is, that we can no longer deny our relationship and our responsibility to them.

"And yet just as we now understand that elephants hurt like us, we’re learning that they can heal like us as well. Indeed, Misty has become a testament to the Elephant Sanctuary’s signature ‘‘passive control’’ system, a therapy tailored in many ways along the lines of those used to treat human sufferers of post-traumatic stress disorder. Passive control, as a sanctuary newsletter describes it, depends upon ‘‘knowledge of how elephants process information and respond to stress’’ as well as specific knowledge of each elephant’s past response to stress. Under this so-called nondominance system, there is no discipline, retaliation or withholding of food, water and treats, which are all common tactics of elephant trainers. Great pains are taken, meanwhile, to afford the elephants both a sense of safety and freedom of choice — two mainstays of human trauma therapy — as well as continual social interaction.

Upon her arrival at the Elephant Sanctuary, Misty seemed to sense straight off the different vibe of her new home. When Scott Blais of the sanctuary went to free Misty’s still-chained leg a mere day after she’d arrived, she stood peaceably by, practically offering her leg up to him. Over her many months of quarantine, meanwhile, with only humans acting as a kind of surrogate elephant family, she has consistently gone through the daily rigors of her tuberculosis treatments — involving two caretakers, a team of veterinarians and the use of a restraining chute in which harnesses are secured about her chest and tail — without any coaxing or pressure. ‘‘We’ll shower her with praise in the barn afterwards,’’ Buckley told me as Misty stood by, chomping on a mouthful of hay, ‘‘and she actually purrs with pleasure. The whole barn vibrates.’’

Of course, Misty’s road to recovery — when viewed in light of her history and that of all the other captive elephants, past and present — is as harrowing as it is heartening. She and the others have suffered, we now understand, not simply because of us, but because they are, by and large, us. If as recently as the end of the Vietnam War people were still balking at the idea that a soldier, for example, could be physically disabled by psychological harm — the idea, in other words, that the mind is not an entity apart from the body and therefore just as woundable as any limb — we now find ourselves having to make an equally profound and, for many, even more difficult leap: that a fellow creature as ostensibly unlike us in every way as an elephant is as precisely and intricately woundable as we are. And while such knowledge naturally places an added burden upon us, the keepers, that burden is now being greatly compounded by the fact that sudden violent outbursts like Misty’s can no longer be dismissed as the inevitable isolated revolts of a restless few against the constraints and abuses of captivity.

They have no future without us. The question we are now forced to grapple with is whether we would mind a future without them, among the more mindful creatures on this earth and, in many ways, the most devoted. Indeed, the manner of the elephants’ continued keeping, their restoration and conservation, both in civil confines and what’s left of wild ones, is now drawing the attention of everyone from naturalists to neuroscientists. Too much about elephants, in the end — their desires and devotions, their vulnerability and tremendous resilience — reminds us of ourselves to dismiss out of hand this revolt they’re currently staging against their own dismissal. And while our concern may ultimately be rooted in that most human of impulses — the preservation of our own self-image — the great paradox about this particular moment in our history with elephants is that saving them will require finally getting past ourselves; it will demand the ultimate act of deep, interspecies empathy.

On a more immediate, practical level, as Gay Bradshaw sees it, this involves taking what has been learned about elephant society, psychology and emotion and inculcating that knowledge into the conservation schemes of researchers and park rangers. This includes doing things like expanding elephant habitat to what it used to be historically and avoiding the use of culling and translocations as conservation tools. ‘‘If we want elephants around,’’ Bradshaw told me, ‘‘then what we need to do is simple: learn how to live with elephants. In other words, in addition to conservation, we need to educate people how to live with wild animals like humans used to do, and to create conditions whereby people can live on their land and live with elephants without it being this life-and-death situation.’’

The other part of our newly emerging compact with elephants, however, is far more difficult to codify. It requires nothing less than a fundamental shift in the way we look at animals and, by extension, ourselves. It requires what Bradshaw somewhat whimsically refers to as a new ‘‘trans-species psyche,’’ a commitment to move beyond an anthropocentric frame of reference and, in effect, be elephants. Two years ago, Bradshaw wrote a paper for the journal Society and Animals, focusing on the work of the David Sheldrick Wildlife Trust in Kenya, a sanctuary for orphaned and traumatized wild elephants — more or less the wilderness-based complement to Carol Buckley’s trauma therapy at the Elephant Sanctuary in Tennessee. The trust’s human caregivers essentially serve as surrogate mothers to young orphan elephants, gradually restoring their psychological and emotional well being to the point at which they can be reintroduced into existing wild herds. The human ‘‘allomothers’’ stay by their adopted young orphans’ sides, even sleeping with them at night in stables. The caretakers make sure, however, to rotate from one elephant to the next so that the orphans grow fond of all the keepers. Otherwise an elephant would form such a strong bond with one keeper that whenever he or she was absent, that elephant would grieve as if over the loss of another family member, often becoming physically ill itself.

To date, the Sheldrick Trust has successfully rehabilitated more than 60 elephants and reintroduced them into wild herds. A number of them have periodically returned to the sanctuary with their own wild-born calves in order to reunite with their human allomothers and to introduce their offspring to what — out on this uncharted frontier of the new ‘‘trans-species psyche’’ — is now being recognized, at least by the elephants, it seems, as a whole new subspecies: the human allograndmother. ‘‘Traditionally, nature has served as a source of healing for humans,’’ Bradshaw told me. ‘‘Now humans can participate actively in the healing of both themselves and nonhuman animals. The trust and the sanctuary are the beginnings of a mutually benefiting interspecies culture.’’

Elephants and post-traumatic stress (Part 2)

Another section of the same article (An Elephant Crackup? written by Andres Serrano for The New York Times)

This describes the work and observations of a woman called Eve Abe, who saw a pronounced and very clear correlation between the behaviour of the traumatised young elephants and traumatised human children of war torn Uganda...


"Eve Abe... [is an] animal ethologist and wildlife-management consultant now based in London, Abe (pronounced AH-bay) grew up in northern Uganda. After several years of studying elephants in Queen Elizabeth National Park, where decades of poaching had drastically reduced the herds, Abe received her doctorate at Cambridge University in 1994 for work detailing the parallels she saw between the plight of Uganda’s orphaned male elephants and the young male orphans of her own people, the Acholi, whose families and villages have been decimated by years of civil war. It’s work she proudly proclaims to be not only ‘‘the ultimate act of anthropomorphism’’ but also what she was destined to do.

Abe began her studies in Queen Elizabeth National Park in 1982, as an undergraduate at Makerere University in Kampala, shortly after she and her family, who’d been living for years as refugees in Kenya to escape the brutal violence in Uganda under the dictatorship of Idi Amin, returned home in the wake of Amin’s ouster in 1979. Abe told me that when she first arrived at the park, there were fewer than 150 elephants remaining from an original population of nearly 4,000. The bulk of the decimation occurred during the war with Tanzania that led to Amin’s overthrow: soldiers from both armies grabbed all the ivory they could get their hands on — and did so with such cravenness that the word ‘‘poaching’’ seems woefully inadequate. ‘‘Normally when you say ‘poaching,’ ’’ Abe said, ‘‘you think of people shooting one or two and going off. But this was war. They’d just throw hand grenades at the elephants, bring whole families down and cut out the ivory. I call that mass destruction.’’

The last elephant survivors of Queen Elizabeth National Park, Abe said, never left one another’s side. They kept in a tight bunch, moving as one. Only one elderly female remained; Abe estimated her to be at least 62. It was this matriarch who first gathered the survivors together from their various hideouts on the park’s forested fringes and then led them back out as one group into open savanna. Until her death in the early 90’s, the old female held the group together, the population all the while slowly beginning to rebound. In her yet-to-be-completed memoir, ‘‘My Elephants and My People,’’ Abe writes of the prominence of the matriarch in Acholi society; she named the park’s matriarchal elephant savior Lady Irene, after her own mother. ‘‘It took that core group of survivors in the park about five or six years,’’ Abe told me, ‘‘before I started seeing whole new family units emerge and begin to split off and go their own way.’’

In 1986, Abe’s family was forced to flee the country again. Violence against Uganda’s people and elephants never completely abated after Amin’s regime collapsed, and it drastically worsened in the course of the full-fledged war that developed between government forces and the rebel Lord’s Resistance Army. For years, that army’s leader, Joseph Kony, routinely ‘‘recruited’’ from Acholi villages, killing the parents of young males before their eyes, or sometimes having them do the killings themselves, before pressing them into service as child soldiers. The Lord’s Resistance Army has by now been largely defeated, but Kony, who is wanted by the International Criminal Court for numerous crimes against humanity, has hidden with what remains of his army in the mountains of Murchison Falls National Park, and more recently in Garamba National Park in northern Congo, where poaching by the Lord’s Resistance Army has continued to orphan more elephants.

‘‘I started looking again at what has happened among the Acholi and the elephants,’’ Abe told me. ‘‘I saw that it is an absolute coincidence between the two. You know we used to have villages. We still don’t have villages. There are over 200 displaced-people’s camps in present-day northern Uganda. Everybody lives now within these camps, and there are no more elders. The elders were systematically eliminated. The first batch of elimination was during Amin’s time, and that set the stage for the later destruction of northern Uganda. We are among the lucky few, because my mom and dad managed to escape. But the families there are just broken. I know many of them. Displaced people are living in our home now. My mother said let them have it. All these kids who have grown up with their parents killed — no fathers, no mothers, only children looking after them. They don’t go to schools. They have no schools, no hospitals. No infrastructure. They form these roaming, violent, destructive bands. It’s the same thing that happens with the elephants. Just like the male war orphans, they are wild, completely lost.’’

‘‘I remember when I first was working on my doctorate,’’ she said. ‘‘I mentioned that I was doing this parallel once to a prominent scientist in Kenya. He looked amazed. He said, ‘How come nobody has made this connection before?’ I told him because it hadn’t happened this way to anyone else’s tribe before. To me it’s something I see so clearly. Most people are scared of showing that kind of anthropomorphism. But coming from me it doesn’t sound like I’m inventing something. It’s there. People know it’s there. Some might think that the way I describe the elephant attacks makes the animals look like people. But people are animals.’’

For de Zulueta, the parallel that Abe draws between the plight of war orphans, human and elephant, is painfully apt, yet also provides some cause for hope, given the often startling capacity of both animals for recovery. She told me that one Ugandan war orphan she is currently treating lost all the members of his family except for two older brothers. Remarkably, one of those brothers, while serving in the Ugandan Army, rescued the younger sibling from the Lord’s Resistance Army; the older brother’s unit had captured the rebel battalion in which his younger brother had been forced to fight.

The two brothers eventually made their way to London, and for the past two years, the younger brother has been going through a gradual process of recovery in the care of Maudsley Hospital. Much of the rehabilitation, according to de Zulueta, especially in the early stages, relies on the basic human trauma therapy principles now being applied to elephants: providing decent living quarters, establishing a sense of safety and of attachment to a larger community and allowing freedom of choice. After that have come the more complex treatments tailored to the human brain’s particular cognitive capacities: things like reliving the original traumatic experience and being taught to modulate feelings through early detection of hyperarousal and through breathing techniques. And the healing of trauma, as de Zulueta describes it, turns out to have physical correlatives in the brain just as its wounding does.

‘‘What I say is, we find bypass,’’ she explained. ‘‘We bypass the wounded areas using various techniques. Some of the wounds are not healable. Their scars remain. But there is hope because the brain is an enormous computer, and you can learn to bypass its wounds by finding different methods of approaching life. Of course there may be moments when something happens and the old wound becomes unbearable. Still, people do recover. The boy I’ve been telling you about is 18 now, and he has survived very well in terms of his emotional health and capacities. He’s a lovely, lovely man. And he’s a poet. He writes beautiful poetry.’’

Elephants and post-traumatic stress (Part 1)

The following is an excerpt from an article called An Elephant Crackup? written by Andres Serrano for The New York Times.

It describes the consequences of poaching and controlled culling on elephant societies and argues that the psychological trauma suffered by the elephants is almost identical to that suffered by humans who are diagnosed with post traumatic stress or shock. What is particularly fascinating is that it appears that the same methods of treatment as used to treat us can also help elephants recover.



"[The] fabric of elephant society, Bradshaw and her colleagues concluded, had effectively been frayed by years of habitat loss and poaching, along with systematic culling by government agencies to control elephant numbers and translocations of herds to different habitats. The number of older matriarchs and female caregivers (or ‘‘allomothers’’) had drastically fallen, as had the number of elder bulls, who play a significant role in keeping younger males in line. In parts of Zambia and Tanzania, a number of the elephant groups studied contained no adult females whatsoever. In Uganda, herds were often found to be ‘‘semipermanent aggregations,’’ as a paper written by Bradshaw describes them, with many females between the ages of 15 and 25 having no familial associations.

As a result of such social upheaval, calves are now being born to and raised by ever younger and inexperienced mothers. Young orphaned elephants, meanwhile, that have witnessed the death of a parent at the hands of poachers are coming of age in the absence of the support system that defines traditional elephant life. ‘‘The loss of elephant elders,’’ Bradshaw told me, ‘‘and the traumatic experience of witnessing the massacres of their family, impairs normal brain and behavior development in young elephants.’’

What Bradshaw and her colleagues describe would seem to be an extreme form of anthropocentric conjecture if the evidence that they’ve compiled from various elephant resesarchers, even on the strictly observational level, weren’t so compelling. The elephants of decimated herds, especially orphans who’ve watched the death of their parents and elders from poaching and culling, exhibit behavior typically associated with post-traumatic stress disorder and other trauma-related disorders in humans: abnormal startle response, unpredictable asocial behavior, inattentive mothering and hyperaggression. Studies of the various assaults on the rhinos in South Africa, meanwhile, have determined that the perpetrators were in all cases adolescent males that had witnessed their families being shot down in cullings. It was common for these elephants to have been tethered to the bodies of their dead and dying relatives until they could be rounded up for translocation to, as Bradshaw and Schore describe them, ‘‘locales lacking traditional social hierarchy of older bulls and intact natal family structures.’’

In fact, even the relatively few attempts that park officials have made to restore parts of the social fabric of elephant society have lent substance to the elephant-breakdown theory. When South African park rangers recently introduced a number of older bull elephants into several destabilized elephant herds in Pilanesburg and Addo, the wayward behavior — including unusually premature hormonal changes among the adolescent elephants — abated.

But according to Bradshaw and her colleagues, the various pieces of the elephant-trauma puzzle really come together at the level of neuroscience, or what might be called the physiology of psychology, by which scientists can now map the marred neuronal fields, snapped synaptic bridges and crooked chemical streams of an embattled psyche. Though most scientific knowledge of trauma is still understood through research on human subjects, neural studies of elephants are now under way. (The first functional M.R.I. scan of an elephant brain, taken this year, revealed, perhaps not surprisingly, a huge hippocampus, a seat of memory in the mammalian brain, as well as a prominent structure in the limbic system, which processes emotions.) Allan Schore, the U.C.L.A. psychologist and neuroscientist who for the past 15 years has focused his research on early human brain development and the negative impact of trauma on it, recently wrote two articles with Bradshaw on the stress-related neurobiological underpinnings of current abnormal elephant behavior.

‘‘We know that these mechanisms cut across species,’’ Schore told me. ‘‘In the first years of humans as well as elephants, development of the emotional brain is impacted by these attachment mechanisms, by the interaction that the infant has with the primary caregiver, especially the mother. When these early experiences go in a positive way, it leads to greater resilience in things like affect regulation, stress regulation, social communication and empathy. But when these early experiences go awry in cases of abuse and neglect, there is a literal thinning down of the essential circuits in the brain, especially in the emotion-processing areas.’’

For Bradshaw, these continuities between human and elephant brains resonate far outside the field of neuroscience. ‘‘Elephants are suffering and behaving in the same ways that we recognize in ourselves as a result of violence,’’ she told me. ‘‘It is entirely congruent with what we know about humans and other mammals. Except perhaps for a few specific features, brain organization and early development of elephants and humans are extremely similar. That’s not news. What is news is when you start asking, What does this mean beyond the science? How do we respond to the fact that we are causing other species like elephants to psychologically break down? In a way, it’s not so much a cognitive or imaginative leap anymore as it is a political one.’’